14 Asian American National Design Award Winners to Know

Cooper Hewitt’s National Design Awards program honors innovation and impact in design. Since its inception in 2000, many Asian Americans have been recognized with a National Design Award. Here are 14 to know:

Derek Lam. Photo: Masato Onoda

A fair-skinned model in enormous black-and-white pleated pants layered under a black dress with a slit leg stands with her arms akimbo, looking confident and bold — Roos Abels wearing Derek Lam 10 Crosby, Look 12, Spring/Summer 2019 (New York, New York, Spring/Summer 2019). Photo: Matthew Sprout

Alexis Sundman, a pretty model with a light brown complexion with her hair tied back, tilts her head and toys with an earring. She looks casual but cool in her brown wool coat and purple blouse. — Alexis Sundman wearing Derek Lam 10 Crosby, Look 4, Fall/Winter 2019 (New York, New York, Fall/Winter 2019). Photo: Matthew Sprout

An Asian woman models long tapered grey slacks with a flowing white blouse and gold hoop earrings. The model stands with her hands in her pockets looking directly at the camera. — He Cong wearing Derek Lam Collection, Look 22, Fall/Winter 2019 (New York, New York, Fall/Winter 2019). Photo: Matthew Sprout

Derek Lam
2019 Fashion Award

Derek Lam is a leading designer of relaxed yet elevated American sportswear. His work is known for its calculated simplicity and thoughtful detailing that creates a sophisticated modern sensibility. A San Francisco native, Chinese American Lam began his fashion career in 1990. When asked to use three adjectives to describe good design, Lam said, “Just one, thoughtfulness.” He spent eight years as a designer at Michael Kors before launching his New York-based eponymous fashion house with partner Jan-Hendrik Schlottmann in 2004 and contemporary line Derek Lam 10 Crosby in 2011. The collections include women’s clothing, shoes, handbags, and eyewear. Lam has received numerous accolades from CFDA, and his work has been exhibited at the Kennedy Center, Washington, D.C.; The Museum at the Fashion Institute of Technology, New York; and the Victoria and Albert Museum, London, UK.

Read Derek Lam’s Q&A with Cooper Hewitt here.

An Asian women with short black hair and a white woman with curled blonde hair stand together smiling at the camera. — Grace Jun and Christina Mallon of Open Style Labs.

Square blue coat pocket with small rectangular tabs on the inside of the jacket — A jacket designed to be donned/doffed independently by a user with limited upper body strength and range of motion (New York, New York, 2018). Photo: Alyssa Brandofino, Bolor Amgalan, Herbert Ramirez, Robert Appelman, Kilian Son

An exhibition showcasing the application of interactive textiles in wearable clothing or accessories. On the white wall behind the clothing in red letters reads [How Do You Get Dressed]? — An exhibition showcasing the application of interactive textiles in wearable clothing or accessories focused on dressing challenges for people with disabilities and the elderly (New York, New York, 2019). Photo: Eray/ Carbajo, İnanç Eray, Pinar Guvenc, Grace Jun

A blonde woman wearing a green knit sweater demonstrates using a 3D printed white accessory. The accessory hangs from her neck is being used to to swipe a NYC metrocard in a subway station. — A 3-D printed accessory to assist people with limited dexterity or symptoms of paralysis in their arms and hands, such as patients with Parkinson’s disease, ALS, Multiple Sclerosis, and Arthritis, to swipe a NYC metrocard (New York, New York, 2018). Photo: Christina Mallon, Julia Liao

Grace Jun of Open Style Lab
2019 Emerging Designer Award

Established in 2014, Open Style Lab is a nonprofit organization dedicated to creating functional wearable solutions for people of all abilities without compromising on style. Led by board members Grace Jun, Christina Mallon-Michalove, and Pinar Guvenc, the New York-based organization teams designers, engineers, and occupational therapists to conceive and build accessible wearables that address the needs with and for people with disabilities. Open Style Lab’s mission is for all people to have access to style, regardless of cognitive and physical ability, and they achieve this through education programs, research and innovation, and raising awareness. In addition to apparel, Open Style Lab’s body of work includes accessories, wearable technology, innovative textile applications, and an exhibition. Korean American Grace Jun is also an Assistant Professor of Fashion at The New School where she teaches inclusive design.

Explore more in Grace Jun’s book Universal Materiality available at SHOP Cooper Hewitt.

A photograph of designer Christina Kim smiling at the camera. She wears a button-up shirt with a necklace made with large green and black stones. — Christina Kim, co-founder and designer of dosa.

A photograph taken from the ground looking up at various brown, white, and orange garments hanging from an ornate ceiling. — Exhibition installation photo, Organic, recycled, off the grid: Fashion ethics of Christina Kim,” University of Bologna, Italy, 2008. Photo: Mark Schooley

On the left is a mustard yellow textile with a variety of patterned circles of different colors sewn on top. One the right side, a brown, white, and yellow striped textile with more patterned circles sewn on top. — Gees tikdi textile (detail), 2009. Designed by Christina Kim (American b. South Korea 1957), produced by dosa inc. (Los Angeles, California).

A loom woven fabric with patterns embroidered in blues, yellows, pinks, greens, and browns. — 2nd generation jamdani; Eungie skirt in satyajit color, Spring 2008 collection; designed by Christina Kim, produced by dosa inc. © dosa inc.

Christina Kim
2018 Fashion Award

Christina Kim is the co-founder and designer of dosa, a Los Angeles–based clothing, accessories, and housewares company established in 1984 with a focus on rethinking conventional fashion industry production and sustaining artisan cultures. In-house production enables an evolving system for efficient use of natural resources, recycling, and creative reuse. South-Korean born Kim draws on traditional handwork techniques, particularly in India, Mexico, and Colombia, engaging local artisans and communities in long-term collaborations. Christina Kim’s work was featured in the Cooper Hewitt exhibition Scraps—Fashion, Textiles, and Creative Reuse on view September 23, 2016 through April 23, 2017.

Watch this video with Christina Kim featured in the 2016 exhibition Scraps – Fashion, Textiles, and Creative Reuse.

Mikyoung Kim founding principal of Mikyoung Kim Design. Photo: Christopher Baker

A photograph of a garden with stone walkway comprised of long rectangular slabs. Green grows between the slabs which are placed at varying angles. Lush trees grow on either side of the walkway. — Farrar Pond Garden, situated within a three-acre native hardwood forest overlooking Farrar Pond. The design seeks to harmonize contemporary materials and design elements with a native plant palette and natural kettle and kame geology. The sculptural Cor-Ten fence flows through openings in the forest, both defining and blurring boundaries (Lincoln, Massachusetts, 2009). Project partner: Shwartz Silver Architects. Photo: Christopher Baker

A photograph taken from above three people sitting on stone sloping benches on the edge of a reservoir. — ChonGae River Restoration Project, a regenerative, seven-mile green corridor provides resiliency to the hydrological systems of the city. The river source point is a symbolic cultural representation of the future reunification of North and South Korea within a highly active public plaza, framed by local stone from each of the nine provinces of North and South Korea (Seoul, Korea, 2009). Project partner: SeoAhn Total Landscape. Photo: Robert Such

A photograph taken from above of a park with curved pathways, green grass, trees, and benches. — The Alexander Park, a plaza and rain garden for neighborhood gatherings and community events, featuring a unique sculptural seating element made of regionally sourced laminated stone slabs that act as a retention system for a rain garden, managing storm water throughout the site (West Palm Beach, Florida, 2017). Project partner: RAM Development. Photo: Robin Hill

Mikyoung Kim of Mikyoung Kim Design
2018 Landscape Design Award

Mikyoung Kim, FASLA, is the founding principal of Mikyoung Kim Design, an international landscape architecture and urban design firm based in Boston. Kim, a Korean American landscape architect and designer with a background in sculpture, has lead the firm for over two decades. The firm has crafted an exceptional body of award-winning work that redefines the discipline of landscape architecture and inhabits the intersection of art and science. Its projects—from large to small—solve challenging urban resiliency issues while always considering the unique character of place making. As a multi-disciplinary office, the firm’s ideas emerge through a responsive and collaborative approach that imagines possibilities across disciplines and scales. The firm’s work, including the Chongae River Restoration (Seoul, Korea), Crown Sky Garden (Chicago, Illinois, USA), and Prudential Center Plaza (Boston, Massachusetts, USA), celebrates the transforming experience of water and light in the city.

Hear from Mikyoung Kim and other National Design Award winners in this 2018 winner’s panel.

A photograph of designer Mary Ping wearing a black top, with her black hair swept to one side. — Mary Ping. Photo: Joyce Ravid

A pair of sunglasses photographed on a brown background. Light reflects off the sunglasses onto the surface giving the appearance that the sunglasses are glowing. — Sunglasses (New York, New York, 2010). Photo: Zoë Ghertner

Wedge sandal in tri-color (New York, New York, 2012). Photo: Isabel Asha Penzlien

A photograph of ten orange handbags lined up on a concrete table. Each handbag is made of the same material but varies in shape and size. — Metamorphosis, installation at the Fondation Galeries Lafayette (Paris, France, 2016). Photo: Josefine Forsberg

Mary Ping of Slow and Steady Wins the Race
2017 Fashion Award

New York–based, Chinese American designer Mary Ping founded Slow and Steady Wins the Race in 2002, following the launch of her eponymous collection in 2001. The work is a continuous investigation into the elements of what people wear, how they wear it, and why. Each collection contains a commentary on the cultural anthropology of modern fashion, focusing on the fundamental characteristics of design within a wardrobe. Ping was inducted into the CFDA in 2007, and is a winner of the Ecco Domani Award and UPS Future of Fashion. Her work is part of the permanent collections of the Victoria and Albert Museum, London, UK; The Museum at the Fashion Institute of Technology, New York; the RISD Museum, Rhode Island; Deste Foundation, Athens, Greece; and the Fondation d’entreprise Galeries Lafayette, Paris, France.

Revisit this Master Class with Mary Ping and fellow National Design Award winner Joe Doucet.

A black and white photograph of Carol Lim and Humberto Leon. Lim sits in a chair and Leon leans against a table beside her. — Carol Lim and Humberto Leon. Photo: Sebastian Kim

Three models are photographed from waist to neck standing beside each other. The model on the left is wearing a white collared shirt under a sweater with an illustration of sand and blue skies with two floating disembodied eyes and a mouth. The middle model wears a black turtleneck with a dress over it. The dress has a similar beach scene with eyes and a mouth. The model on the right wears a t-shirt with a brown to pink gradient sunset sky with a disembodied eye, nose, and mouth. — Opening Ceremony & Rene Magritte campaign. May, 2014. Photo: Philippe Jarrigeon

A photograph of a dozen models on a runway arranged in two lines shoulder-to-shoulder. Each model has a different outfit, the model closest to the camera is looking directly at the camera and is wearing a black blouse with white flower pattern and white and black striped pants. — Fall/winter 2015 fashion show. (New York, New York, 2015). Photo: Joel Barhamand

Opening Ceremony x Intel, MICA (My Intelligent Communication Accessory) campaign. (New York, New York, 2014). Photo: Collier Schorr

Carol Lim and Humberto Leon of Opening Ceremony
2016 Fashion Award

Carol Lim and Humberto Leon founded Opening Ceremony in 2002, with the idea of bringing their love of travel and fashion to a concept boutique. Both grew up in the suburbs of Los Angeles, Lim is Korean American and Leon is Chinese and Peruvian American. The company grew to encompass the Opening Ceremony ready-to-wear, accessories, and footwear collections for men and women; retail outlets in New York, Los Angeles, Nagoya, and Tokyo; a wholesale showroom in New York; and a comprehensive online platform at openingceremony.us. In 2020, Opening Ceremony closed their physical retail stores. In 2012, Leon and Lim were appointed creative directors of the French fashion house Kenzo.

Image shows three principals from Studio O + A. — Perry Stephney, Primo Orpilla, and Verda Alexander. Photo: Ben Krantz

An image of the Yelp offices with colorful striped patterns on the walls and large black light fixtures. Seven people can be seen in various seating areas in the office talking or on their cell phones. — Studio O+A | Yelp offices, abstracting the visual patterns of Dutch tulip fields as seen from the air and turning them into Mondrian-like wall art in a simple space (San Francisco, California, 2015). Photo: Jasper Sanidad

A photograph of the Uber headquarters with long LED lights hanging above a wooden table. The lights reflect off of the dark mirrored walls. The table has size low back dark turquoise chairs around it. — Uber headquarters, fifth floor office where a colonnade of mirrors turns a corridor of meeting spaces and open lounge areas into a light-bending, perspective-defying souk (San Francisco, California, 2016). Photo: Jasper Sanidad

A photograph of the Alibaba offices with glass walls and conference rooms on the left and four tables with several work stations per table on the right. The ceiling is white with ornate art deco details. — Alibaba offices, merging Art Deco architecture with state-of-the-art technology for China’s largest ecommerce company (San Francisco, California, 2015). Photo: Jasper Sanidad

Primo Orpilla of Studio O+A
2016 Interior Design Award

For over twenty-five years, Studio O+A has been a creative force in workplace design. What began as a two-person space planning operation in Silicon Valley in 1991 is today a San Francisco–based design firm with over 40 employees and clients that are some of the most dynamic companies in American business, including Facebook, Uber, Cisco Systems, and Yelp. Led by principals Primo Orpilla, Verda Alexander, and Perry Stephney, O+A built its reputation on understanding how the next generation of entrepreneurs is changing the work environment and how those changes are abetted by design. Primo Orpilla is a Filipino American. From the beginning, O+A saw its mission as capturing the spirit and culture of the client in the built environment and turning that spirit into a story.

Take a closer look at the workings of Studio O+A in Studio O+A: Twelve True Tales of Workplace Design available at SHOP Cooper Hewitt.

A photograph of a woman in a gray dress with her hands in her pockets next to a man in a white denim shirt and dark jeans with his hands in his pockets. Both smile at the camera standing in a ceramics workshop. At their feet a large black dog is laying on the floor. — Photo: Courtesy of Heath Ceramics

A photograph of a room with a chair and coffee table with books on it to the left. Against the tile patterned blue and red back wall is a desk and shelves with books, ceramics, bottles, lamps, and sculptures displayed. On the wooden floors is a small white fur rug. — Tile as functional art, mural pattern in rhythm (2014). Photo: Mariko Reed

A photograph of a ceramics showroom. In the foreground is a stovetop and counter. In the background are various tables and display shelves with ceramics. — Tile and dinnerware showrooms (Sausalito, California, 2013). Photo: Mariko Reed

A photograph of thirteen ceramic jugs of the same shape and size. The jugs are varying shades of green and white and are arranged on a white surface with a white background. — Summer seasonal bud vases in succulent lime, pomelo, mint, and storm (2007). Photo: Jeffery Cross

Robin Petravic of Heath Ceramics
2015 Corporate and Institutional Achievement Award

For over 60 years, Heath Ceramics has been known for handmade ceramic tableware and architectural tile that embody creativity and craftsmanship, elevate the everyday, and enhance the way people eat, live, and connect. Founded by Edith and Brian Heath in 1948, the historic company is now led by Catherine Bailey and Robin Petravic, who purchased and re-founded the company in 2003, placing a strong emphasis on design while preserving Heath’s hand-crafted techniques and designer-maker legacy. Petravic was born to a Chinese mother and Croatian father. Today, Heath Ceramics is committed to quality over quantity, production at a human scale, local manufacturing, social and environmental responsibility, and thoughtfully designed spaces that don’t just reflect its values, but also create them. Heath still makes dinnerware in its original factory in Sausalito, California, and has added a new tile factory in San Francisco, California.

Revisit this 2011 talk with Robin Petravic and Catherine Bailey in celebration of Heath Ceramic’s 60^th Anniversary.

A photograph of three people standing against a chalkboard with photos hanging on the board on the far right and left sides. The man on the left wears black slacks and a button up shirt with his hands in his pockets. The woman in the middle wears a grey sweater black pinstripe pants. The man on the right wears a blue pinstripe shirt and black slacks with his arms crossed. — Three principals of Architecture Research Office Stephen Cassel, Kim Yao, and Adam Yarinsky

A photograph of Union Square North courtyard. — Union Square Park North Historic Pavilion Renovationa and Comfort Station, New York City

A photograph of a house in Telluride, Colorado. The house is surrounded by yellow-green trees dramatically lit by the sunlight. — Colorado House, Telluride, CO

A showroom with white tables and chairs. On the tables are cosmetic products in dark blue packaging. Around the room are cloth dividers in varying shades of blue. — Qiora Store & Spa, New York, NY, USA

Kim Yao of Architecture Research Office
2011 Architecture Award

Architecture Research Office is a New York–based firm led by Stephen Cassell, Adam Yarinsky, and Kim Yao. Its work spans from strategic planning to architecture and urban design. Since 1993, the firm has worked with leading universities, cultural institutions, global corporations, government agencies, international fashion labels, and nonprofit organizations, utilizing research and analysis to drive the design. From a prototype for 1,000-square-foot low-income sustainable housing to a proposal to reinvent the role of ecology and infrastructure in New York City, ARO uses design to unite the conceptual and the pragmatic within a strong, coherent vision.

Watch Kim Yao and Architecture Research Office at the 2011 National Design Awards celebration.

A photograph of Jeff Han in a black shirt with a black suit jacket and thin rimmed glasses. Behind him is a blue background. — Jeff Han, Founder and Chief Scientist, Perceptive Pixel. Photo: Vincent Laforet

A photograph of several children smiling as they play with an interactive map on a screen. — Perceptive Pixel’s Multi-Touch wall. Photo: Perceptive Pixel

Perceptive Pixel's interactive screens are displayed along a wall. One person stands in the background looking at the screens. — Photo: Perceptive Pixel

A photograph taken from above of a person using an interactive touch table using one finger on their right hand and using a stylus in their left hand. On the screen are blue, yellow, green, and purple squares. — Photo: Perceptive Pixel

Jeff Han, founder of Perceptive Pixel
2009 Interaction Award

Perceptive Pixel was dedicated to the research, development, and deployment of multi-touch interfaces for the knowledge worker. Their systems enabled both novice and expert users to manipulate complex datasets through a new class of intuitive yet powerful and visually rich interface techniques. The company was founded in 2006 by Korean American Jeff Han after he astonished attendees at that year’s TED conference with a live debut of the technology. Perceptive Pixel became renowned for completely transforming the way television broadcasters including CNN, Fox, and ABC covered the historic 2008 Presidential elections. In 2012, Perceptive Pixel was acquired by Microsoft where Han served as Partner General Manager of Perceptive Pixel (later Surface Hub) through 2015.

Watch Jeff Han’s Design Talk here.

Masamichi Udagawa and Sigi Moeslinger. Photo Credit: Chris Callis

An installation in Cooper Hewitt's Great Hall. The cylindrical shaped structure emits light from within and has pink cherry blossoms adorning the blue structure. — Cherry Blossom; Cooper Hewitt, National Design Museum (2003). Photo: Ryuzo Masunaga

A photograph of the interior of an empty New York subway car. — R142 Subway Car, MTA/New York City Transit, 2000. Photo: Ryuzo Masunaga

A photograph taken at night of a store window display. The background of the display is blue with four white LED flower shapes. There is text on the window but all that can be read is the title [Flower Power]. — Power Flower; Häagen-Dazs Cultural Initiative at Bloomingdale’s New York, 2002. Photo: Ryuzo Masunaga

Masamichi Udagawa of Antenna Design
2008 Product Design Award

Co-founded by Sigi Moeslinger and Masamichi Udagawa in 1997, Antenna Design combines technological complexity with a sense of humanity. Japanese-born Udagawa designed musical instruments for Yamaha and user experience for Apple before founding Antenna Design. The firm’s work prioritizes rapid prototyping and user involvement. Antenna Design’s projects range from public to commercial, realized to exploratory, for an international clientele, including Bloomberg LP, Johnson & Johnson, McDonald’s, Fujitsu, and Microsoft. It designed three new fleets of subway cars and the MetroCard ticket vending machines for New York City’s Metropolitan Transportation Authority; and the hardware and screen interface for JetBlue’s check-in kiosks nationally.

Revisit the Cherry Blossom installation created by Masamichi Udagawa and Sigi Moeslinger for Cooper Hewitt’s 2013 Triennial.

Frank Ching. Photo: Courtesy of Frank Ching

A book cover with the title [Architectural Graphics] by [Francis D.K. Ching]. — Frank Ching, Architectural Graphics. Originally published 1975. 4th Edition published 2001.

A brown book cover with white letters reading [Bina Yapim Rehberi] by [Francis D.K. Ching ve Cassandra Adams]. — Frank Ching, Building Construction Illustrated. Originally published 1975. 3rd edition currently in production

A gray book cover with the title [Building Codes Illustrated A Guide to Understanding the 2006 International Building Code] by [Francis D.K. Ching/ Steven R. Winkel, FAIA] — Frank Ching, Building Codes IllustratedOriginally published in 2003. 2nd edition published 2006

Professor Frank Ching
2007 Special Jury Commendation Award

Francis D.K. Ching has shaped the fundamental vocabulary of every designer and architect through his writing and illustration. Author of numerous books on architecture and Professor Emeritus at the University of Washington, Francis D.K. Ching’s work has influenced a generation of students and continues to be regarded as the canon in design education. Respected for its clear, instructional approach, Ching’s work is known for its ability to articulate the often complex relationships between abstract ideas and their expression in design. Seminal texts such as Architectural Graphics, Architecture: Form, Space and Order and Building Construction Illustrated have been widely incorporated into curricula in the U.S. and abroad.

A black and white photograph of three men against a white wall. — Lewis.Tsurumaki.Lewis. Photo: LTL

A photograph of a blue building with four square wooden structures protruding. Each wooden structure has a large window on two sides. There are two doors into the building each framed by similar wooden structures. — Lewis.Tsurumaki.Lewis, Bornhuetter Hall, The College of Wooster, Wooster, OH, 2004. Photo: Rudolph Janu

Two photographs of the same staircase placed on top of architectural sketches of the staircase. — Lewis.Tsurumaki.Lewis, Geltner Loft, New York, NY, 2000. Photo: Courtesy of Lewis.Tsurumaki.Lewis

A photograph of a restaurant Dash Dogs in New York. A man stands at the counter talking to a man behind the counter who wears a shirt with [DASH] on it. — Lewis.Tsurumaki.Lewis, Dash Dogs, New York, NY, 2005. Photo: Michael Moran

Marc Tsurumaki of Lewis.Tsurumaki.Lewis
2007 Interior Design Award

Lewis.Tsurumaki.Lewis (LTL) is an architecture and design firm that explores the intersection between theory and practice. Founded in 1993 by Paul Lewis, Marc Tsurumaki, and David Lewis, the firm is recognized for their attention to detail and craft, inventive use of materials, and close involvement in the installation process. LTL has completed academic, retail, and restaurant design projects throughout the United States, including the College of Wooster’s Bornhuetter Hall in Ohio, and Tides and Xing restaurants in New York City. In their writing, the firm has examined contemporary suburban architecture and hotel design. LTL’s work is part of several museum collections and has been exhibited widely at venues including the San Francisco Museum of Modern Art, the 2004 Venice Architecture Biennale, and the 2000 Cooper Hewitt Design Triennial, New York.

Watch the 2007 National Design Award Winners’ Panel featuring Marc Tsurumaki.

A photograph of Yeohlee Teng smiling at the camera with her hair covering the left half of her face. — Yeohlee Teng. Photo: Joerg Schwartz

A strapless gown on a mannequin. The bust of the dress is black and the skirt is white. Where the two colors meet, a rectangle of cream fabric overlaps both at the center. — Yeohlee Teng. YEOHLEE Spring 1992. Photo: Karen Willis/MMA

Three dresses with black and white checkerboard patterns displayed on mannequins. — Yeohlee Teng. YEOHLEE Fall 1994, Alice and Wonderland, New York, NY, 1994. Photo: Karen Willis/MMA

A photograph of a model walking down a runway in a green, knee-length dress and black sandals. The sides of the dress are black. — Yeohlee Teng, YEOHLEE Spring, 2004. Photo: Dan Lecca

Yeohlee Teng
2004 Fashion Award

Yeohlee Teng is an American fashion designer from Malaysia and of Chinese heritage. Yeohlee Teng’s strong and consistent approach to clothing design portrays seasonless efficiency, striking geometry, and concise functionalism. Teng designs for the “urban nomad,” a postmodern consumer who demands adaptable and low maintenance clothing that appears deceptively simple but makes a powerful impression. The inspiration for Teng’s simple, clean, and functional clothing came from studying the clothes of people traveling through Kansai International Airport, Osaka Bay, and from investigating how fashion relates and contrasts with architecture. Yeohlee’s designs have attracted the attention of many museum and gallery curators. Her work has been featured in solo shows at the Victoria and Albert Museum, London and The Museum at the Fashion Institute of Technology, New York, and her clothing is in the permanent collection of the Costume Institute of the Metropolitan Museum of Art, New York.

Revisit this panel discussion on American Fashion featuring Yeohlee Teng.

Leave a reply Cancel reply

Share this: