In celebration of Women’s History Month, Cooper Hewitt is dedicating select Object of the Day entries to the work of women designers in our collection. This sidewall was designed by Elsbeth Kupferoth, one of the most prolific pattern designers of post-war Germany. Kupferoth got her start as a student at the Berlin Textile und Modeschüle....
In celebration of Women’s History Month, Cooper Hewitt is dedicating select Object of the Day entries to the work of women designers in our collection. This sidewall was designed by Marion Dorn Kauffer who is perhaps best remembered for the inspired batik textiles, rugs and interiors she created during the interwar years. Born in San...
In the 1950s it was popular to hang themed wallpapers in functional spaces. Designs were produced for the kitchen and dining room that depicted food and drink, for children’s bedrooms that showed toys, cartoons and fairytale characters, and even designs featuring objects such as irons and scissors were made to be hung in spaces where...
After the dust had settled from WWII, people were ready to get back to (or experience for the first time) the good life that had been interrupted by decades of war and depression. These desires manifested quite literally on wallpapers, and during the 1950s there was a trend for designs depicting everything from household appliances...
This sidewall was designed by the firm Denst & Soderlund in 1952-53. Thin, wavering black lines radiate out from a central point forming a large round motif resembling a dandelion flower gone to seed. The motif is repeated vertically on the panel, and is so large that it only takes two “dandelions” to cover the...
If you have ever wondered what it’s like to be a toy inside of Santa’s sack, this is the wallpaper for you. This close and colorful design was most likely printed in France, and might best be described as the wildest Christmas-morning dreams of a child in the 1870s. Jack-in-the-boxes, toy trains and badminton racquets...
This lovely nineteenth-century panel is a testament to the Hewitt sisters’ affinity for fine French wallpapers, and perfect for those who wish everyday was St. Valentine’s Day. It was block printed on handmade paper c.1810, just a few decades before continuous roles of machine-made paper became the industry standard. The top edge of the paper...
Framed rectangular vignettes are vertically stacked like ashlar blocks on this French wallpaper ca. 1855-75. The frames are printed in yellow and brown and depict bead-and-reel molding. Two square scenes in the center of the page show men both leading horses to water and making them drink, but it’s the identical vignettes that span the...
This screen-printed sidewall is meant to look like cement that has been impressed with a woodgrain pattern, because why not? The vertically-aligned board “impressions” are printed in light and dark grey with a granular texture that effectively imitates the rough surface of cement. The artists responsible for this industrially-inspired wallpaper are German furniture designers Klaus-Achim...
