Author: Cara McCarty

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Image features chair, formed of assembled sheets of poured resin in shades of yellows to greens; oval back with attenuated vertical V-shaped split in center, attached to U-shaped seat on base formed of curving sheets. Please scroll down to read the blog post about this object.
Imperfect Beauty
To celebrate the opening of Saturated: The Allure and Science of Color, Object of the Day this month will feature colorful objects from the exhibition. This post was originally published  November 8, 2012. Visionary, prophetic, subversive, and marginal all describe the Italian architect and designer, Gaetano Pesce, whose innovative experiments with materials and production methods transform...
Designers are Optimists: A Snapshot of Contemporary Design
Persistent advancements in materials and technologies, based increasingly on science as well as on the imagination of individuals, has produced a large body of work defined as contemporary design. Much of it has to do with the way things are made, often using new processes. We have mastered assembly-line mass production as exemplified by such...
Solid C2 Chair by Patrick Jouin
Printing Furniture
“Stereolithography has enabled us to…imagine, on an industrial level, a new freedom of creation, which would notably emancipate us from the limitations of molds.”[1]  Patrick Jouin Rarely can furniture—or its manufacturing process—be described as revolutionary. Paris-based Patrick Jouin’s “digital” furniture, however, is an iconic form of our time that also expands the notion of printing!...
Image features chair, formed of assembled sheets of poured resin in shades of yellows to greens; oval back with attenuated vertical V-shaped split in center, attached to U-shaped seat on base formed of curving sheets. Please scroll down to read the blog post about this object.
Imperfect Beauty
Visionary, prophetic, subversive, and marginal all describe the Italian architect and designer, Gaetano Pesce, whose innovative experiments with materials and production methods transform common industrial materials into expressive shapes for objects, furniture, and interiors. For Pesce, designing is not so much about form or aesthetics as it is about the discovery of new materials and technological...