Author: Matilda McQuaid

SORT BY:
Length of orange cotton printed with large, photo-realist lips, in slightly paler orange.
Lips
Color was a central element in all of Verner Panton’s designs for interiors and furniture, and in particular, textiles, which became his most important vehicle for color in the futurist environments for which he is best known.  Born in Denmark, Panton lived and worked most of his life in Basel, Switzerland, where by the mid-1950s...
Double cloth of thick and thin stripes in black and white. Vertical bands of thick black and white stripes alternate with horizontal bands of thin black and white stripes. Overtwisted black threads create a puckered effect.
Waste Not
Resourcefulness has been a key component of Japanese life for centuries, and in design, one sees this most dramatically with materials and objects being repurposed, recycled, or reused.  The Japanese textile company, Nuno, founded in 1984, is constantly striving to integrate this ecological approach while continuing to create some of the most technologically innovative and...
Deep red velvet with offset repeat pattern of gold disks. The foundation is plain weave formed by a red silk warp and tan silk weft.
Velvet with Gold Disks
This sumptuous red velvet with gold disks embodies what we can learn from textiles by looking, comparing, deconstructing, reconstructing, and then interpreting our observations.  Milton Sonday, my predecessor in the Textiles department at the Cooper-Hewitt, is a master of this methodology and has spent years employing it and teaching it to researchers and curators around...
Length of metallic silver and black fabric with a variably puckered surface that resembles the skin of a crocodile.
Crocodile
Japanese textile designer, Junichi Arai (b.1932), said that the crucial problem for contemporary textile makers is choosing and blending the myriad of available materials, tools, and technologies. He explains that history should be the maker’s guide, as there have been passionate efforts dedicated to making better fibers, textiles, and garments. Arai has lived by this...
Length of woven fabric with a black ground and oversized multi-colored paisley motifs, facing in opposite directions in each off-set row.
It’s all in the fist…
Make a fist. Pound your hand. Chances are, this was how the paisley pattern started—according to Indian textile designer Umang Hutheesing, who happens to know a lot about the history of Indian textiles. On a recent visit to New York City, I asked Hutheesing for his opinion on the derivation of the paisley pattern. The...
Fragment of woven silk containing one full and most of a second roundel, surrounded by interlaced bands forming star and rosette motifs. In the upper roundel, two confronted figures toast each other with cups raised; in the lower roundel the figure on the right raises a cup and the other figure a long-necked bottle. In dark blue, green, orange-red, and white on a gold metallic ground.
Beautiful Ladies
Admirers of this exquisite tapestry fragment woven in medieval Spain fondly refer to it as “the Drinking Ladies”—an apt description for the two pairs of beautifully-robed women who lift their cups and bottle in salutation. The Drinking Ladies communicates the pleasures of female companionship amid the sumptuous environment of the wealthier classes. This was the...