Against a light orange background, a figure is drawn from illustrative black lines filled in with blues, yellows, whites, and browns. The figure consists of a brown-skinned man in a blue shirt whose body is entwined with the form of a chair, with his arms morphing into the chair arms and the two entities sharing legs.
We Are Seated: Tschabalala Self’s “Sounding Board”
“A chair always implies a figure, even if no figure is occupying it.”
From Idea to Engraving: Stradanus and the Printmaking Process
Explore the printmaking process—from artist sketch to engraved sheet—in 16th-century Europe.
A watercolor featuring a silhouette of the Empire State Building against an ivory colored background, with a detailed depiction of an industrial site in the foreground.
Autumn in New York
Lean into the shifting season with this selection of autumnal objects from Cooper Hewitt’s permanent collection.
A Closer Look: What Fun Is a Font if You Can’t Play with It?
A look at the specific challenges and opportunities of collecting and displaying digital media.
How to Sell a Heater During a Revolution
Discover a collection of designs for stoves invented and produced by Ollivier’s Manufactory during the tumultuous period of the French Revolution.
Symbols as Synecdoche: Creating Community Identity
How do symbols represent communities?
A Closer Look: Displaying a Medical Model
Cooper Hewitt's mount maker discusses the challenges of displaying an object with a complex surface structure.
Our Search for Symbols, 2024
Henry Dreyfuss's team collected thousands of symbols for the Symbol Sourcebook. What might a Symbol Sourcebook, crowdsourced in 2024 with your submissions, look like?
The Library Is Open: Queer Texts and the Designers Who Enabled Them
The worlds of design and writing collide in this exploration of published work by LGBTQIA+ individuals.