Botanical Lessons explores nature in the Smithsonian collections through thirteen botanical models on loan from the National Museum of American History, and a selection of illustrated books and periodicals from Smithsonian Libraries, all of which served as teaching aids in a nineteenth-century period marked by a growing interest in science and education.
Model, Ficus carica, 1875–1898, wood, papier-mâché, cardboard, plaster, reed pith, metal, string, feathers, gelatin, glass and bone glue beads, cloth, metallic thread, horsehair, hemp, silk threads, paint, and shellac varnish
The Ficus carica, or fig tree, is native to the Mediterranean and Central Asian regions, and it was one of the first plants cultivated by humankind, growing up to 30 feet. A staple in the diet of ancient Greeks and Romans, the fruit is now consumed around the world either raw, dried, or as a jam.
Bananier, Plate 54, Flore Médicale, 1814.
The author of this publication, François-Pierre Chaumeton, was a French physician and pharmacist who worked as a military doctor at the turn of the 19th century. After his retirement, Chaumeton started writing for medical publications, which led to Flore Médicale, a book that presents a wide range of botanical species for pharmaceutical use. The title however goes beyond its initial scope, and includes flowers and fruits like this banana.
Model, Theobroma cacao, 1875–1898, wood, papier-mâché, cardboard, plaster, reed pith, metal, string, feathers, gelatin, glass and bone glue beads, cloth, metallic thread, horsehair, hemp, silk threads, paint, and shellac varnish.
Plate, Odontoglossum Grande, Paxton’s Magazine Of Botany, And Register Of Flowering Plants, Vol. 8, 1841
Sir Joseph Paxton may be more well known today as the designer of the 1851 Crystal Palace exhibition building in London, but his main occupation at that time was as Head Gardener of Chatsworth House, home to the Dukes of Devonshire since 1549. Paxton was also interested in publishing and landscape and greenhouse design. These passions combined in Paxton’s Magazine of Botany, which was the third title he developed, running from 1834 to 1849. The pages selected here focus on the lavish illustrations that accompanied the detailed texts, which shared the newest developments in botany for amateur and professional gardeners alike.
Model, Rosa canina, 1875–1898, wood, papier-mâché, cardboard, plaster, reed pith, metal, string, feathers, gelatin, glass and bone glue beads, cloth, metallic thread, horsehair, hemp, silk threads, paint, and shellac varnish.
Rosa canina, also known as dog rose, is a thorny climbing plant native to Europe, North Africa and western Asia, characterized by pink or white flowers. Traditionally, syrups were made using the rose hips due to their high concentration in vitamin C. The hairs inside the hips, known to cause irritation, have been an ingredient in itching powder.
Nature by Design is made possible by major support from Amita and Purnendu Chatterjee. Additional support is provided by the Cooper Hewitt Master’s Program Fund.
This project summary was compiled by José de la O (Studio José de la O) and Christina De León, Associate Curator of Latino Design at Cooper Hewitt. Grana vs. La Máquina, or “Cochineal vs. The Machine,” was an academic project initiated by the School of Architecture, Art, and Design at Tecnológico de Monterrey, Mexico City,...
Does the frozen scenery on this Reed & Barton beverage set make you feel like the ice water is really icy? More refreshing? Are you transported to frostier climes in faraway places? Icebergs “startle, frighten, awe; they astonish, excite, amuse, delight and fascinate”[1]. Depending on where you live, icebergs and polar bears can be as...
This fan is in “good” condition for cellulose nitrate and therefore a rarity. Cellulose nitrate is an early plastic polymer invented in the mid-nineteenth century and derived from cellulose that is treated with nitric acid. The material gradually degrades, releasing nitric acid. This fan documents a time of experimentation when substitutions for costly natural materials,...
This Object of the Day post celebrates the opening of Nature by Design: Botanical Expressions, on view from December 7, 2019-January 10, 2021. In the rapidly changing world of the nineteenth century, the expansion of industrialization was accompanied by an increased interest in science. Alongside major discoveries such as Darwin’s theory of evolution, Mendeleev’s periodic table,...
To celebrate the opening of Nature by Design: Botanical Expressions (December 7, 2019-January 10, 2021), Object of the Day this week will feature objects from the exhibition. The creation of what has come to be known as Hans Sloane plates derived from an increased interest in natural history in the eighteenth century, which led to...
To celebrate the opening of Nature by Design: Botanical Expressions (December 7, 2019-January 10, 2021), Object of the Day this week will feature objects from the exhibition. Christopher Dresser (1834-1904) is often described as the first independent industrial designer because of his belief in machine production, his ability to create beautiful and functional objects in...
To celebrate the opening of Nature by Design: Botanical Expressions (December 7, 2019-January 10, 2021), Object of the Day this week will feature objects from the exhibition. Sir Joseph Paxton’s name may sound familiar to architecture enthusiasts, as he was responsible for designing the famous Crystal Palace of 1851 in London. The construction, which housed...
To celebrate the opening of Nature by Design: Botanical Expressions (December 7, 2019-January 10, 2021), Object of the Day this week will feature objects from the exhibition. Growing up in Nancy, France, in the 1850s, Emile Gallé liked going to the city’s botanical gardens and walking the surrounding countryside of Lorraine. His interest in nature...
