Using design objects from the current exhibition Energizing the Everyday: Gifts from the George R. Kravis II Collection and works from Cooper Hewitt’s collection, Curatorial Director Cara McCarty examines how scientific inquiry, technology, and our persistent fascination with manipulating materials—from plastics and aluminum to silicon chips and LCDs—have impacted modern industrial design, as well as...

This sleek icon of American design embodies the simultaneous rise of listening technology and the streamline moderne style in the 1930s. This portable phonograph’s mechanism was engineered by Alfred Weiland and Selden T. Williams while its case and overall aesthetic were conceived by the prolific graphic and industrial designer John Vassos. Born in Romania, Vassos...

Junichi Arai is indisputably one of the world’s foremost innovators in fabric and textile design. He was born in the city of Kiryu, Japan, an important center for textile production that boasts over 1,000 years of traditional silk weaving. As the sixth generation of a mill-owning family, Arai learned historical Japanese weaving techniques for obis...

Designed more than 70 years ago, the Model 410 meat slicer, also known as the Streamliner, is not just a utilitarian object for the food service industry. It is also a wonderful example of streamlining, a style of Modernism that combines principles of aerodynamic engineering with geometry, often characterized by smooth rhythmic surfaces and forms...

Most people go to exhibitions to look at the objects. Eggheads go to read the labels. Design geeks (and museum professionals like myself) want to study the installation itself. How are the platforms and cases constructed? How are the texts laid out? How are supplementary graphics handled? Cooper-Hewitt’s new exhibition Design for a Living World...