For centuries, quilt patterns and quilting techniques have been passed down from generation to generation and within generations, from sister-to-sister, cousin-to-cousin, or friend-to-friend. Without formal training, many quilters relied on their more experienced relatives to teach them the best methods. The museum is fortunate to have two quilts from the same family, the Reeds of...

In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Trude Guermonprez began experimenting with what she called “textile graphics” around 1970; she described this evolution in her work as moving toward: “More [of] an awareness of our ties with the universe…I sense a quieting of passions...

In the 1960s, Heal Fabrics was London’s most avant-garde textile producer, and Barbara Brown was its most prominent designer. Trained at the Canterbury College of Art and the Royal College of Art, she began designing for Heal in 1958 and continued into the early 1970s. Brown’s distinctive style pioneered the fashion for bold geometric patterns...

Michael Bierut and Yve Ludwig of Pentagram talk about designing the catalog for the National Design Triennial: Why Design Now? A partner at Pentagram, a critic at Yale and a co-founder of Design Observer, Michael is one of the world's most admired graphic designers. We at Cooper-Hewitt were thrilled with the design that he created...