In Kyrgyzstan, the nomadic past is evident in the quantity of collapsible, portable textile furnishings. Textile objects found in Kyrgyz homes include patchwork, embroidered, or appliquéd quilts, saddle bags, pot holders, rugs, clothing, room dividers, and in the case of yurts, tent flaps. These garments and housewares are often made as part of a bride’s...
“Fast and easy” is how this collection of borders was marketed to the public. Designed especially for the do-it-yourself market, these narrow borders were packed in individual boxes, sold in twelve foot lengths, and all were pre-pasted. They just had to be dipped in water and stuck on the wall, though consumers were advised to...
The production of this type of cloth was confined to a brief period of great artistic achievement in the Nasca region. The portrait heads appear to be of human rather than deity figures, and seem to represent individuals of varied status and perhaps ethnicity, signaled by the wearing of certain accoutrements. Features of the figures...
A version of the Heatwave Radiator is included in the exhibition Joris Laarman Lab: Design in the Digital Age, on view at Cooper Hewitt, Smithsonian Design Museum through January 15, 2018. Radiators have long been used to exchange heat, transfering thermal energy from one medium to another for the purpose of space heating. Their primary...
This reliquary vase, created by Matt Nolen, is featured in the exhibition, The Virtue in Vice, currently on view at Cooper Hewitt. The vase was selected as a visual interpretation of greed, here defined as the acquisition of large sums of money, universally recognized as the hallmark of avarice. Though tongue-in-cheek, Nolen’s reliquary pointedly illustrates...
Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and Other Collections (figure 1) was written by Owen Jones (1809-1874), one of the most influential English architects, designers, and design theorists of the nineteenth century. Jones selected 100 full-color plates sourced from the motifs of Chinese ceramics, cloisonné works, and carpet designs,...
Frederick Krieg’s colorful design for a two-part part tile pattern is depicted in a three by three grid. The result is an alternating composition that maintains unity through repeated colors (light blue, bisque, and charcoal) and angles (hexagonal and inverted). Krieg’s precision is all the more impressive given the medium: watercolor paint. A self-taught designer...
Title: The Architect, builder and woodworker. Publisher: New York [etc.] C.D. Lakey [etc.] 1868- Smithsonian Libraries Reference Number: NA1. A43 CHMRU Builder and Wood-Worker Masthead. Vol. 18, no.2 Feb, 1882. NA1. A43 CHMRU The Cooper Hewitt Library collects a variety of trade periodicals, especially those dealing with architecture and the building trades. The Architect,...
What is the importance of being able to place a name upon the things we create? Perhaps it gives one the ability to become more than just a faceless member of a crowd, to leave behind a mark of what they have made. Historically, women have often remained nameless with the things they create. This is...
