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Image features yellow file folder with loose sketch in black ink of the basic form of a garden with pathways. Please scroll down to read the blog post about this object.
A Swirl of Nooks for Contemplation
In celebration of the milestone 20th anniversary of the National Design Awards, this week’s Object of The Day posts honor National Design Award winners. Completed in 2013, Monk’s Garden is a small garden on the grounds of the Isabella Stewart Gardner Museum in Boston, Massachusetts. Michael Van Valkenburgh Associates took their inspiration for the garden’s...
A man, seen in profile, plays a banjo with his right hand. His left arm is not shown.
An Artist in America
A noted teacher whose students included Jackson Pollock, Thomas Hart Benton was at the forefront of the Regionalist art movement, painting scenes of everyday life in the United States.  During the Great Depression, he traveled through the South and Midwest and published an autobiography—An Artist in America—recounting his experiences.  The book was illustrated with sketches...
Frederic Church Collection featured at the Met’s new American wing
Frederic Edwin Church, Sunset across the Hudson Valley, 1870. object number 1917-4-582-a Cooper-Hewitt, National Design Museum’s collection of over 2,000 oil sketches and graphite drawings by Frederic Church was mentioned recently in the New York Times in connection with the reopening of the Metropolitan Museum of Art’s American Wing. According to the Met’s Curator of...
Collection Spotlight: Whitney Warren
Whitney Warren (American, 1864–1943). Tile Floor, Diane de Poitiers Bedroom, Château de Chaumont, June 12, 1888. Brush and watercolor, graphite on off-white wove paper tipped into binding with fabric, 12 5/8 × 9 3/4 in. (320 × 248 mm), irregular. Cooper-Hewitt, National Design Museum, Smithsonian Institution, Gift of Mrs. William Greenough, 1943-51-216 Cooper-Hewitt’s Drawings, Prints,...
Meier 75
Personally, I am partial to Richard Meier’s approach to architecture. According to Meier, a building is an act of “willful artificiality;” a “man-made” spatial construct that functions as a receptacle for experiencing the world of nature. Meier’s white walls act as nature’s film screen capturing ever-changing patterns of reflected color and light. While Meier credits...
Janice Arnold Sketches
During a visit to Cooper-Hewitt about a year and a half ago, West-coast felt-maker Janice Arnold was intrigued by the form of the museum’s conservatory. Its domed roof and iron mullions resemble the radiating struts of the framework of a yurt—the circular tent dwelling of the nomadic tribes who first created felt. Next week, Arnold...