The third of the grand challenges posed by Secretary Wayne Clough for the new strategic plan of the Smithsonian is explained by the sentence: “As a steward and ambassador of cultural connections, with a presence in some 100 countries and expertise and collections that encompass the globe, we will build bridges of mutual respect, and...
This is the second of the grand challenges posed by Secretary Wayne Clough for the new strategic plan of the Smithsonian, with the explanatory sentence: “We will use our resources across scientific museums and centers to significantly advance our knowledge and understanding of life on earth, respond to the growing threat of environmental change, and...
Why? Buildings in the United States produce the largest share of the worlds carbon-dioxide emissions. All aspects of the recently completed California Academy of Sciences, a natural-history museum, were designed for maximum environmental performance. The indigenous plantcovered, contoured roof design is a key component of the buildings overall ecological system, making it one of todays...
Why? Masdar is a self-contained, sustainable city currently being built on the desert outskirts of Abu Dhabi. Its design pushes new approaches to alternative energy applied to architecture and engineering on an urban scale. A vast experiment, it aims to be the worlds first car-free, carbon-neutral, zero-waste city powered by renewable energy sources.
Most people go to exhibitions to look at the objects. Eggheads go to read the labels. Design geeks (and museum professionals like myself) want to study the installation itself. How are the platforms and cases constructed? How are the texts laid out? How are supplementary graphics handled? Cooper-Hewitt’s new exhibition Design for a Living World...
On May 14, 2009, Cooper-Hewitt opens Design for a Living World, an exhibition developed by The Nature Conservancy, one of the world’s leading conservation organizations. As part of our partnership with TNC, Cooper-Hewitt met the challenge of publishing a companion book that would emphasize the exhibition’s principal themes: sustainable design and materials, and responsible conservation...
At the end of the introduction to the Multiple Choice exhibition, the curator reflects that, “as contemporary design industries move to open-sourcing and electronic formats for the marketing of their products, physical samples may soon become obsolete.” From a future academic and archival view point, this is a sad possibility, as material sampling formats contain...
A multitude of schools are at the forefront of devising low cost innovations around the world, these are only a few of the examples of initiatives and projects underway. Designmatters at Art Center College of Design develops a multi-component design solution for a mobile clinic in Kenya. A camel-packaging system improves efficiency, refrigeration units are...
On April 19, Robin Petravic and Catherine Bailey spoke here at Cooper-Hewitt, National Design Museum about their work as owners of the legendary California pottery maker Heath, founded by Edith Heath in the mid-1940s. Their presentation had everyone thinking about the role of craft in manufacturing. They explain, “We believe that the craft of manufacturing...
